I have been pushing to get a peridoization – breaking history into periods – of history happening. My next task is to come up with a new set of terminologies – aesthetic categories – for the periods.
How is the periodization of material culture (design) to be undertaken?
The following periodization is to serve as breaks, period, that define the dominant ideology-culture. Which then influences the design, influences, and aesthetics of the period.
Re Indian Sub-Continent pre 20th Century – will be a special category within the colonial period, that presages the birth of the nation states in the sub-continent.
In the contemporary period the account can be in decades – swift change of technology and material culture transformation. Whereas in the period before the account can be in chunks of 100 years or more.
What are the hero-objects that define each period?
Ancient 1500 BC to 400 BC
Buddhist Period 400 BC to 0
Kingdoms Period 0 to 1000 AD
Islamic Period 1000 to 1700 (1750s)
European (Great Civilization) 1700 to 1857
Colonial Period 1857 to 1947
Nationalist Period 1947 to 1991
Contemporary Period 1991 to Current
South East Asia
Ancient 1500 BC to 1 BC
Hindu Period 1 BC to 1000 AD
Islam Period 1000 AD to 1600 AD
European Period 1600 AD to 1945*
Nation State Period 1945 (or other) to current
Marcel Thee | April 14, 2011, on, http://www.thejakartaglobe.com/lifeandtimes/bollywood-fever-hits-indonesia/435445
Aviral YouTube video of a policeman lip-syncing and dancing to the song “Chaiyya Chaiyya” by Bollywood superstar Shah Rukh Khan not only turned officer Norman Kamaru into an instant celebrity, but has also renewed the country’s love affair with Bollywood.
Steven M. Kossak and Edith W. Watts
A great and early civilization arose on the subcontinent of South Asia that in time spread northward to the Himalayan region and eastward to Southeast Asia, a vast area including Cambodia, Thailand, Laos, Indonesia, Vietnam, Malaysia, and Myanmar. This resource introduces works of art from this area selected from the superb South and Southeast Asian and Islamic collections of The Metropolitan Museum of Art. Included are examples of Buddhist and Hindu temple art and the later court arts of South Asia; these range from miniature painting and luxurious textiles to elegant personal possessions. As well as descriptions of the visual qualities and symbolic meanings of the art, also provided are a summary of South and Southeast Asian history, a section about Buddhism and Hinduism, classroom activities, and lesson plans.
This page lists select thematic bibliographies of value/use to researchers in Asian and Pacific Studies. It is partially based on materials from the now defunct “Clearinghouse for Asian Studies & Social Sciences Subject-Oriented Bibliographies.” Please mail (firstname.lastname@example.org) if you know of relevant on-line bibliography(ies) not listed here.
Welcome to the tribaltextiles.info website. On this site you will find mainly pictorial information on tribal textiles with a strong regional focus on southwest China and southeast Asia (currently more than 70 photogalleries and studies, articles and exhibitions as well as diaries of textile-related travel linked to the various country pages). The concentration is very much on textiles constructed from traditional techniques and worn as clothing. Where possible the textiles are shown in context, being made and worn in villages and towns by people for whom the textiles form part of their culture and indentity. The site was launched in January 2002 based on the tribal textile material originally published on the pacross.net website which was first launched in May 2000. The tribaltextiles.info site continues to be gradually expanded in both depth, breadth and contributors – watch what’s new.